- PRIMUS CHARLIE AND THE CHOCOLATE FACTORY FULL ALBUM MOVIE
- PRIMUS CHARLIE AND THE CHOCOLATE FACTORY FULL ALBUM FREE
Classic examples being the manic intensity of Candy Man and the child-like Primus can arrange - heavy, avante and plain weird. Mostly made up of shorter, incidental links, main tracks that are stretched out beyond the 4 minute mark stand on their own as only Only Les can get away with twisting and old-fashioned classic into such a modern sounding, freakyĮxtravaganza. Let's just say that this album is a blast - it's pure Playing his skewed guitar lines as usual, and contributing lead-vocals (!) to a track. With his resonator and regular electric basses, Tim playing his kit and nik-naks like how an orchestral percussionist would, Ler Tabla, Vibraphone, Marimba) and Sam Bass ('Cello), the songs mainly feature Les on his upright bass, with sparse appearances Also featuring the 'Fungi Ensemble' (Matt Dillon. This is one, curious band that's certainly difficult to classify. Typically quirky, 'out-there' and rather complex, nothing is 'normal' when itĬomes to Primus. What anĮccentric collection of pieces this release contains. And let's welcome back drummer Tim (Herb) Alexander, who seems to come and go as he pleases. Here, Primus' Les Claypool has re-imagined the musical backing of Gene Wilder's 1971 classic fantasy film Charlie And TheĬhocolate Factory. This is how the soundtrack would've been reflected had Willy Wonka laced his fantastic Maybe it comes alive inĬoncert, but on disc the music remains little more than a curious and amusing novelty. The "Pure Imagination" extolled by Willie Wonka, and typically the creative bread-and-butter toĮven a bass guitar-toting rebel like Les Claypool, is what's missing here. But he spends more time bowing rather than slapping hisīass strings here, careful not to disturb the quasi-classical arrangements of each updated song. His awesome chops continue to elevate the instrument above its The album might be almost too respectful of its source, never unleashing the full-funk beast ofĬlaypool's bass guitar virtuosity. Is played four times, just like in the movie, but in the same, more-or-less straightforward reading for Second (!) "Lermaninoff" ending before it actually begins. Six of theįourteen tracks - almost half the album - stop well short of the two-minute mark, with the four. Unfortunately, even with a showroom full of Lickable Wallpaper, Fizzy Lifting Drinks, andĮverlasting Gobstoppers there isn't much substance to really sink your teeth into.
PRIMUS CHARLIE AND THE CHOCOLATE FACTORY FULL ALBUM FREE
Tickets' in five vinyl copies of the album, entitling the lucky recipients to free Primus concerts for life.Īs Veruca Salt might have said, "I want it now!".although doubtless without the same adenoidal growl used by Claypool, in his minor-key Arabian remix of the Leslie Bricusse / Anthony Newley song of the same name heard here. This one also foregrounds the album's concept over its actual composition.īut it's a heck of a concept, even extending to the clever promotional gag of including 'golden Rock weirdos have inspired more than one Primus detour. Moon meets The Residents", with emphasis clearly on the latter influence. And the music itself wasĭescribed by Claypool in a Rolling Stone interview as "early Peter Gabriel meets Dark Side of the Note), suggesting an attitude of humble tribute rather than satire. The album is dedicated "to the wondrous talent of Gene Wilder" (and not Johnny Depp, please Like "Candy Man", using sinister vocals and ominous marimbas (and yes: marimbas can be
Claypool and company merely exposed the hidden underbelly of songs There was always an element of childlike enthusiasm inĬlaypool's bass playing, matched to a not incompatible streak of adult subversion in Roald Dahl's Horrible remake that left the taste of feces in our mouths".īut maybe the idea isn't so farfetched.
PRIMUS CHARLIE AND THE CHOCOLATE FACTORY FULL ALBUM MOVIE
Movie "Willie Wonka and the Chocolate Factory".specifically the 1971 version, not the anemicĬGI reboot directed by Tim Burton, described by Primus frontman Les Claypool as a "horrendous, On paper it looks like an off-color punchline: the art-thrashers of Primus, playing songs from the
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